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February 2024


Visualizing Birth

Using Images as Tools During Pregnancy and Birth

Visualizing Pregnancy and Family through
Deborah Lanino’s “A Young Family”

By Anna Hennessey


Los Angeles based artist Deborah Lanino is a painter with a long history of creating artwork that represents a diverse array of subject matters in a wide range of styles. Her 1992 painting, A Young Family, is one of those works. In it, we see the silhouettes of three figures, a father, mother and child, standing on a path between two hills with a peaceful blue skyline in the background. The mother is pregnant, her belly protruding in front of her towards her child, who holds onto a red, heart-shaped balloon.

The painting is a calming representation of family and pregnancy. Additionally, Lanino’s story about creating the work includes an extra element to how her creation of the piece related to her own visualization of becoming pregnant one day when she was a young artist in New York City:


"The concept for this painting came to me many years ago. I was a young artist living in SOHO, Manhattan, and I was working on a series of graphite drawings with shape, form and silhouette. This turned into a drawing of a young family. After that, I made a colored chalk pastel version. The next year, I was newly married and we moved to Chelsea, and I painted the acrylic on a panel, pictured here. I was, in my heart, hopeful to start a family. A few years later, we were blessed to have a baby boy. I still have the original pastel, framed and on display at home here in Los Angeles. The piece went on to win an award, a decade later at an exhibition in Santa Monica with the theme “Mother’s Day”. My son sat next to me at the reception. He was born right around Mother’s day and he has been a great blessing."

Lanino’s story points to how the spheres of an artist’s personal visualizations have the capacity to merge with their artistic productions, and in some cases, with the actualization of those visualizations. In Lanino’s case, her visual conception of pregnancy became manifest first in her artwork and then later through her own body. Her child, a son, was born close to Mother’s Day, adding a special element of the sacred to that day for the artist.

A Young Family is helpful for others in the visualization of pregnancy and family. Mother and father figures are interconnected through the shoulders of their silhouettes, while the hills between which the family stands are rising up from the earth as if to protect and nurture the young family. The rich red balloon that the boy holds floats calmly in the sky, and the sky itself looks like a calm sea, its clouds lapping a shore in soft waves. Lanino’s story of how she visualized family when painting her work is also a joyful reminder of how art, mental visualization, and reality merge in the context of pregnancy, birth, and family.

To see more of Deborah Lanino’s work from her New York and Los Angeles periods, as well as her work for an upcoming solo exhibit this Fall in Berkeley, please visit Lanino’s website at:

For the full link see:

December - 2022
Featured Artwork in the Berkeley Art and Interreligious Pilgrimage Project

Thank you Kathryn Barush for featuring my painting and this article in the Berkeley Art and Interreligious Pilgrimage Project. Here is the direct link:


The pilgrimage that inspired the painting, ““Glory to God. Two Angels in Pink and Brown”,”  began in 1985, when artist Deborah Lanino traveled to Italy, and saw the churches and museums and an exhibition in Vercelli, commemorating 400 years since the death of her ancestor, the Renaissance painter Bernardino Lanino (1512-1583).

Deborah, based in Los Angeles, is known for her contemporary use of color and classical techniques such as chiaroscuro and sfumato. Her recent series: “Faith” features many more works inspired by that ancestral and art-infused pilgrimage.


Two Angels by Deborah Lanino

Acrylic and charcoal on paper (2021)



September - 2022

Featured in Intentfullyfit 

Very happy to be to be a part of 

Where women celebrate ageless authenticity.

Check out this article, "The art of soothing the soul" in this online oasis where I’m featured in this newly launched website by Lisa Carey.  Please click on the direct link here:

Where women celebrate their ageless authenticity​

The "Art" of Soothing the Soul

Insights from artist Deborah Lanino

You could say Deborah Lanino was born to be an artist. As a direct descendant of acclaimed Italian Renaissance painter Bernardino Lanino, her works embrace her ancestry with a fusion of impressionism and expressionism that touch the spirit. She studied art history in Florence, Italy, earned her Bachelor’s degree in Fine Arts from Pratt Institute, and a Master’s from Argosy University. Her talents have graced galleries, and she’s been a teacher and an award-winning illustrator of more than 50 published works, including the classic Children’s Christmas Book “The Littlest Angel.” When our paths crossed professionally, I could see each of her works is a boundless expression of who she is, always changing, and always observant, adding color along the way.

What does your art say about you?

I’ve always been a very curious person, open to learning new things. There are a few things I’ve learned that I don’t want to try again. But I think ultimately, my art reflects a sense of wonder. Through it all, painting gives me clear thinking and an appreciation for the journey itself. I’ve found it so important to value the time I spend on myself, expressing my passion. Ever since I could hold a pencil I’ve been doing the artwork I love to do. It’s been a conscious choice, a responsibility, that has helped me be a better person as I go out into the world as an expression of that.

Your recent works evoke a spiritual connection to a higher, more enlightened space. Where does your inspiration come from?

My inspiration comes from themes of faith, hope and love. With this series I’m trying to show spiritualism and faith through my paintings in a new way. Four hundred fifty years ago during Bernardino’s time, people looked at art differently. But even in today’s world, the essence remains the same. His paintings gave people a sense of calm and reflection. For my piece entitled “Wings of a Dove,” I created an abstract and contemporary piece by replicating the symbolism of a dove he used to depict the third element of the trinity, the Holy Spirit. Using color and form and shape and all the elements and principles of design, I hope to evoke the tranquility, love and peace that the dove represents.


What if anything, surprised you about your artistic lineage?

I get to celebrate my Italian roots by utilizing some of the skills that Bernardino used in the 1500s. The terms are so Italian, I just love them. “Sfumato” – a technique of allowing tones and colors to shade gradually into one another, producing softened outlines or hazy forms. “Chiaroscuro” (from Italian chiaro “light” and scuro “dark”) – a technique of representing light and shadow to define three-dimensional objects.

How has your painting called “Hope” taken on new meaning?

I painted this piece five years ago and find myself reflecting upon it during the pandemic, as it promises that season of rebirth and hope we are all looking forward to. I used yellow in this piece because it’s cheerful and energizing. I find it a concept to hold on to in these difficult times. People with resilient outlooks are less vulnerable to physical and emotional illness. Resilience is also hope. Hope can energize and mobilize us.


You’ve been a student, teacher and creator in your artistic journey. What passions drive you today?

I’ve come full circle, with gratitude. I’m finally at a stage in life where I’m able to complete my Faith, Hope and Love series and am in the process of exhibiting those works in a museum. It’s been a lifelong dream. When I look back on being a student, I vividly remember the day as a college senior, feeling intimated when I applied for a grant to travel to Europe to paint. Sitting there in a room before a prestigious panel 30 years ago, I presented them the beginnings of the Faith, Hope and Love project. It was disappointing when my pitch was quickly dismissed by an architect on the panel. At the time, it was harder for women to gain recognition. There was not one female artist in our standard art history book. Today’s culture is more open and accepting. After my drawings sat unfinished in my sketchbooks for years, I’m finally ready to visually share my story. I’m still learning. The art is a manifestation of who I am. I needed to arrive here myself.


When you look back upon something you created years ago, where does it take you?

For me, it’s like looking at an old photograph of a beloved family member or a special place and reveling in the nostalgia of that moment in time. Like hearing a familiar song takes you back to what you were doing when you heard it for the very first time. With art, what’s interesting is that a piece can be realistic or abstract. It still transports you.

You can visit with Deborah Lanino and connect via her virtual art studio at:



Condé Nast UK House & Garden 

May 2022

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