Biography

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American artist Deborah Lanino has a unique connection to the art world. As a direct descendant of Bernardino Lanino, a successful Renaissance painter from Vercelli, Italy over 400 years ago, she finds this connection imbues her fusion of impressionism and expressionism with a unique insight.

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Deborah was born in New York and before relocating to Los Angeles, California she lived in the Chelsea area of NYC, where she worked as an award winning illustrator of numerous published book covers, children’s picture books, magazine covers and posters for the theater. Her first published picture book was the Christmas classic "The Littlest Angel."

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Deborah holds a Bachelor's degree in Fine Arts from Pratt Institute and a Masters Degree from Argosy University. She also studied art and art history at SACI in Florence, Italy.

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Today, Deborah can often be found in her art studio in Los Angeles. Deborah makes original art that invites you to find beauty, hope and positivity in everyday moments. Her fine art work appears in various collections throughout the world.

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Artist Statement
 
I remember drawing as soon as I could hold a crayon. Much later, while studying in Florence, Italy, I had the opportunity to gain first hand knowledge of a part of my own heritage and a unique link to the art world. Bernardino Lanino (1512-1582), a successful Renaissance painter from Vercelli, Italy, is a direct ancestor. His works from so long ago still have a powerful impact on the viewer today.
 
I approach the canvas with spontaneous energy. I often work the compositions into abstractions in theme and variation, freeing them from representation so that color and form can also display its own expression.  My goal is to uplift and to bring positivity that hopefully brings the viewer to a positive place. 
 
I use effects such as soft, misty brushwork, as well as chiaroscuro (lights and darks),  sfumato (blurring edges) and multiple uses of perspective.  Color fascinates me, I work with a vibrant palette creating painterly layered glazes and impasto effects.  

 

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